Revivification

I’ve used this blogspace mostly as a means to collect and rediffuse stuff of passing interest, to an audience that I’ve never really defined but generally thought of as my very own self and a few like-minded others who might be following my doings. Beyond its status as a personal lectern, I haven’t really explored what the medium can do as a composition environment, but a couple of days ago it occurred to me that I might use the space as a venue for gathering the ongoing bits of a new project.

I have a glorious history of begun but uncompleted projects, some of which resurface now and again, to be augmented and then maybe shelved again. Files are opened and then closed as my attention is diverted, but I assure myself that gradual progress is made. Since nobody is waiting on me for anything, I can please myself in the matter of what I choose to do from day to day. It All Counts, as Allen Smith once averred.

One of the threads I’ve been following off and on for about 50 years has to do with architecture, or perhaps more broadly with the human activity of building and occupying living spaces. The work I did as a progress photographer on the State Street Bank building in Boston (mostly in 1964) is an example of something I’ve returned to and found new possibilities in (see the building, the first column, construction details). I’ve also pursued a series of renovations and augmentations of my own living spaces, and have kept a weather eye on other people’s building activities, sometimes photographing them but never systematically.
A chance conversation with John Rosenbloom a few nights ago got me thinking about vernacular architecture and I hatched a plot to explore the built environment of Midcoast Maine. Refinements of the scheme are occurring to me with every passing hour, and I need a place to put stuff. And why not the blog? Far better to use the space productively than to let it languish, and it doesn’t need to be polished. Indeed, an omnium gatherum is just what the blog medium is best at: tagging, date-stamping, URLs for fragments, a way to link photographs and other texts… So that’s what I think I’ll try.
And for whom? The primary audience remains my own very, very self, but others might find some of the process of interest, and who knows but what Posterity may even be amused.

Debtpocalypse

Steve Fraser offers a catalog of uncomfortable truths at TomDispatch, documenting a process of decline and dismemberment of the American industrial landscape. A few eloquent passages will suggest why it’s worth reading in its entirety:

“Debtpocalypse” is merely the latest installment in a tragic, 40-year-old story of the dispossession of American working people.
Think of it as the archeology of decline, or a tale of two worlds. As a long generation of austerity politics hollowed out the heartland, the quants and traders and financial wizards of Wall Street gobbled up ever more of the nation’s resources. It was another Great Migration — instead of people, though, trillions of dollars were being sucked out of industrial America and turned into “financial instruments” and new, exotic forms of wealth. If blue-collar Americans were the particular victims here, then high finance is what consumed them…
The United States now has the highest percentage of low-wage workers — those who earn less than two-thirds of the median wage — of any developed nation.
…here in “the homeland,” the very profitability and prosperity of privileged sectors of the economy, especially the bloated financial arena, continue to depend on slicing, dicing, and stripping away what was built up over generations.
Once again a new world has been born. This time, it depends on liquidating the assets of the old one or shipping them abroad to reward speculation in “fictitious capital.” …
for more than a quarter of a century the fastest growing part of the economy has been the finance, insurance, and real estate (FIRE) sector. Between 1980 and 2005, profits in the financial sector increased by 800%, more than three times the growth in non-financial sectors.
In those years, new creations of financial ingenuity, rare or never seen before, bred like rabbits. In the early 1990s, for example, there were a couple of hundred hedge funds; by 2007, 10,000 of them. A whole new species of mortgage broker roamed the land, supplanting old-style savings and loan or regional banks. Fifty thousand mortgage brokerages employed 400,000 brokers, more than the whole U.S. textile industry. A hedge fund manager put it bluntly, “The money that’s made from manufacturing stuff is a pittance in comparison to the amount of money made from shuffling money around.”

Jon Udell again

Jon Udell is reliably eloquent on subjects that are betimes tangent to my own thinkings. His Computational Thinking and Life Skills post of today is a lovely example, and includes this wise distillation:

When you’re writing software you use abstractions and also create them. What’s more, many of the abstractions you use are the very ones you created. When you live a world of your own invention you can do amazing and wonderful things. But you can also do ridiculous and stupid things. To see the difference between them you must always be prepared to park your ego and consider the latter possibility.

Won’t take you but a couple of minutes to read the post, but I’ll bet you’ll think about it for a lot longer.

stories

I fear that I might find a Woody Allen biopic a bit tiresome, but that doesn’t lessen my pleasure in Jon Udell’s brief review, especially its Universal Solvent of a summary sentence:

Some ideas are better than others, no doubt. But to grow them into something that matters you have to see the story. And then tell the story.

another hero

I don’t (well, can’t) follow Bruce Sterling everywhere he goes, but he’s another source of unanticipated education. Case in point: this pair of postings on wire bending: DIWire in action (a 2-minute video that will surprise you) and a followup from the DIWire folks showing how to do it yourself (5:48 of inspiration). Bruce’s photostream is as good a way as any to simulate a funhouse ride…

Look on the works, ye mighty

My recent trip to the west coast and back (see my photostream) didn’t disclose anything so glorious as what Doc Searls seems to capture effortlessly (well, probably not without considerable effort, in fact…) with his crisscrossings of the continent. Here’s one from his latest:

2012_06_12_bos-ewr-lax_342

and you can read some exegesis here. This comes along, providentially, as I’m enjoying Terry Pratchett and Stephen Baxter The Long Earth . Doc is one of my Heroes, for sure. Wish I could be half so clear and consistent in my use of this medium, and he just has it right about photography and Ideas and, obviously, Cluetrain. Over the years his blog has educated me gently and surprisingly.