Category Archives: Zeitgeist

Alter Egos

The game of following the twists and turns of my attention is a personal delight, though perhaps following my Narrative of discoveries and divagations is not an activity that many would find amusing or useful … so this is self-indulgent and primarily for me, to try to capture the daily process. And why not blog it, just in case it might edify or inspire, and so I can find the bits and pieces again myself.

Today’s hypnopompic prompt [waking thought] was centered on the notion of the alter ego (the term said to have been coined by Cicero [‘second self; a trusted friend’]), perhaps touched off by recent explorations of surrealism, and an offshoot of 3 weeks of exploring dreams and dreaming, but a phenomenon of considerable long-running personal interest.

The centerpiece of the moment is Max Ernst, whom I knew had adopted an alter ego, whom he called Loplop, and represented as “Father Superior of the Birds” (the Wikipedia article is a good starting place)

Loplop first appeared in Ernst’s collage novels La Femme 100 Têtes and Une Semaine de Bonté in the role of a narrator and commentator, followed by a number of works into the mid 1930s, forming an informal series of collages, paintings, and mixed media works.

Loplop’s image was not a fixed character, but highly variable in appearance and seldom depicted in the same way twice. Typically (but not always), Loplop had the head of a bird, which could be highly abstracted, often a bird with a crest, comb, or wattle. The body was a square or rectangular space (a canvas, frame, easel, or wall), with the arms and legs being zoomorphic or geometric abstraction in form. Within the “body”, an image, a piece of Max Ernst’s art is presented (a collage, frottage, painting, etc.) which could be equal to, or function independently from the rest of the work.

I first encountered Max Ernst as the subject of a photograph by Frederick Sommer, seen ca. 1964 in Aperture, long before ‘surrealism’ became a subject for my detailed exploration.


(and see fredericksommer.org for how the image was constructed)

Quite a few of Sommer’s photographs were enigmatic and weird enough to draw my attention 60 years ago, as an aspiring photographer on the ragged edges of the conventional, and the Max Ernst photograph seemed at first pretty transgressive of my notions of ‘normal’ portrait images.

So Max Ernst: here’s some of what I collected today, and am working over

from MoMA:

Beginning in the early 1930s, Loplop, or “the Bird Superior,” became one of Ernst’s favorite alter egos. Here his beak-like profile peers over the top of a large rectangular field, which resembles a canvas on an easel or a sandwich board, held up by a concealed body with two stubby feet. In place of a painting or commercial slogans or graphics, Ernst substituted carefully cutout photographs of members of the Surrealist group. His own face appears just slightly above and to the left of center, right next to Salvador Dalí. Such pictures of collective or group activity are a persistent theme in Surrealism.

(fromGallery label from Max Ernst: Beyond Painting, September 23, 2017-January 1, 2018)



Max Ernst and Birds (Daily Art Magazine)

Loplop persists

Max Ernst: a retrospective pdf from archive.org/details/maxer00erns

Summary of Max Ernst “Inspiration to Order” Mike Busby

A Week of Kindness: Exploring Max Ernst’s Surrealist Visual Novel Une Semaine de Bonté

The enduring significance of the work of Max Ernst

History of a Natural History: Max Ernst’s Histoire Naturelle,
Frottage, and Surrealist Automatism
(pdf)

…and I have La Femme 100 Têtes and Une Semaine de Bonté on order…

But what about the alter ego that I began with today? My fascination with such beings is based in my very own engagement with alter egos, the ‘Pogo’ that has followed me since 1953, and the ‘oook’ that joined the parade in the early 1990s (via Terry Pratchett’s Librarian). It’s not so much that either of those is me, as that I have identified with aspects of the characters for 70-odd and 30-odd years. It doesn’t seem to me that many of my acquaintances have similar relationships, and I’m curious about that. There are plenty of examples in literature (even Superman and Batman, whom I abhor…). And now with AI, anybody can have the wherewithal to design avatars and turn them loose in cyberspace … and of course there’s a TV series (Thanks, Fox…) Alter Ego, Avatars and Their Creators and ‘Legitimately nightmarish’: is Alter Ego the worst TV show of 2021? (Guardian). And there’s the 2009 film Avatar , which has spawned a franchise…

A long way from the playfulness of Max Ernst’s Loplop.

What is an avatar, really?

“Avatar” comes from the Sanskrit word avat&amacron;ra meaning ‘descent’. Within Hinduism, it means a manifestation of a deity in bodily form on earth, such as a divine teacher. For those of us who don’t practice Hinduism, it technically means “an incarnation, embodiment, or manifestation of a person or idea”. But in the West, because we mostly encounter avatars in the digital space, we generally define them as the little cartoon person you choose to represent yourself in video games, on social media, or in web forums.

And in the Metaverse?

Avatars are a digital expression of you, letting you freely express your identity, personality and appearance. Avatars are available across all first-party Meta experiences, including those in VR.

eeeeek.

and somehow it’s 2022

Has it really been a month since the last blog post? Of course lots of stuff in that time, books arriving and being wolfed down and at least partially digested, various end-of-year summings-up, and the plunge into 2022. Staying home, minimizing f2f encounters, watching It All Go Down.

Preparations for the weekly Convivium have supplanted blogging to some degree, and

tell the tale of my wandering attentions pretty well.

By way of paying attention to the world outside the many comforts of home, I’ve been following Heather Cox Richardson and Umair Haque, both sort of paywalled (or anyhow I’m not sure if hyperlinks to their posts on Substack and Medium are readily accessible), and both painting not-rosy pictures of what’s just around the corner.

…and I’ve revisited Joan Didion and Jorge Luis Borges profitably, and lately discovered Unflattening (Nick Sousanis) and The Secret To Superhuman Strength (Alison Bechdel), among (many) others.

Reacquaintance with Borges reminded me yet again of the charms of his Celestial Emporium of Benevolent Knowledge, and The Library of Babel (see Jonathan Basile’s obsession: The Library of Babel and about The Library of Babel) … and if the Work itself is unknown to you, there’s a pdf available). Among the additional resources I’m now navigating, The Unimaginable Mathematics of Borges’ Library of Babel (William Goldbloom Bloch) and The Cambridge Companion to Jorge Luis Borges (Edwin Williamson)

…and then consult The Aleph (pdf), when you’re ready for the next thing… Hell of a ride. I’ve just ordered The Total Library : Non-Fiction, 1922-1986, so The Future Is Assured for the rest of January. And of course other things will appear, seemingly out of nowhere.

I resolve to start building my very own Lifebox, inspired by Rudy Rucker’s The Lifebox, the Seashell, and the Soul: What Gnarly Computation Taught Me About Ultimate Reality, The Meaning of Life, And How to Be Happy. Well, I’ve been building it all along, but the project longs to have its own dedicated (hyper)space.

and on Friday

Here’s today’s stream of things read and considered:

and that was July

Once again I’ve got only a single blog posting for the month. The photostream records a succession of grill-watching evenings:

ycmtsu 15vii2102adj 16vii2102

(Kate does the grilling, I having no genes for that activity.
She includes kohlrabi and green beans and zucchini as regular grillage,
and it seems possible that ALL garden produce can be grilled…)

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Organizing projects in shop and Library Annex proceed:

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I bought a couple of professional-grade book carts to facilitate the Library (re-)organization process:
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…and it proceeds slowly, arranged by my own idiosyncratic and ever-morphing categories:
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It’s been very pleasant to spend afternoons sitting here dipping in and out of a succession of rediscovered books.
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In Convivium space, I spent quite a while thinking about the Future. On other frontiers, lots of books read, music played, videos watched, trash picked up. Quite content to be mostly At Home, going from thing to thing.

Omnia disce

If I have a patron saint, it’s probably Hugh of St-Victor [12th century, author of Didascalicon], whose advice was

Omnia disce, videbus postea nihil esse superfluum
(Learn everything, you will see later that nothing is superfluous)

One can’t, alas, Know Everything, but elaborating one’s understanding of the world around has been a lifelong Odyssey, and a great joy. Sometimes the piling up of knowledge and the interweaving of threads of understanding leads to precipices, viewpoints where an unanticipated vista opens to disclose a chasm of personal ignorance. Happens all the time…

It’s a measure of something that I have read NONE of the reading list on issues of race in this issue of Harvard Gazette. I am uninformed in these matters, and forever surprised/chastened to discover vast realms of ignorance of important things I should have known about. Just now I happened upon May Jeong’s Ah Toy, Pioneering Prostitute of Gold Rush California, which considerably enlarges my knowledge of the history of Chinese immigration into California, and raises a host of other issues and questions about intersectional matters.

It’s easy to find examples of “I’m not responsible for…” with respect to evils of the past (slavery, the extirpation of aboriginal populations, anti- stances toward various Others, etc.), and indeed I’ve mouthed the formula myself in defense of one thing or another. The question of ‘responsibility’ might be reframed into a discussion of how does/should/might one take account of complicities in distant (temporally, spatally, socially…) iniquities and inequities. At the very least, one ought to be ready to inform oneself when a chasm of personal ignorance presents itself. Books like 1491: New Revelations of the Americas Before Columbus, the works of Eduardo Galeano (among them Children of the Days: A Calendar of Human History, Upside Down: A Primer for the Looking-Glass World, The Memory of Fire trilogy) and Howard Zinn’s A People’s History of the United States tend to blow the wheels off the wagon of complacency.

Lately I’ve been reading Walter Johnson’s The Broken Heart of America: St. Louis and the Violent History of the United States (which sports Kate’s beautiful maps) which provides a potent backstory to recent events like Ferguson (Amazon blurb: “…exemplifies how imperialism, racism, and capitalism have persistently entwined to corrupt the nation’s past…”). So much of our national mythos is built upon glorifications of events and people, of wilful self-deceptions under the rubrics of Patriotism and exceptionalism, of flaunted symbols like The Flag and the honored dead of glorious wars, and of notions of Progess and Victory. The Emperor’s Raiment, the thumping of tubs, demagoguery, coming to a screen near you…

A brace of haiku in praise:

moral certitude
inspires the cannon fodder
waving flags: Huzzah!!

another martyr
ours or theirs: keep careful count
a winner someday

The Spanish Inquisition

A hiatus from word book blogging, brought on by garden construction labors and the arrival of the 55th Class Report (Harvard Class of 1965). The latter has provoked quite a lot of thought about How Things Are Changing, abetted by various RSS feed incomings, the April 13th issue of the New Yorker, and assorted free-association mindstorms. The Leitmotif seems to be

Nobody Expects the Spanish Inquisition

(the text for which is here)


In this week’s New Yorker, Peter Schjeldahl’s Mortality and the Old Masters, a reflection mostly upon his recent re-encounter with Velásquez’s “Las Meninas”, is particularly trenchant and apposite to questions of ?what’s next? and how shall we think about (and think about thinking about) that.

(and see the Wikipedia article)

This sort of reëvaluation can happen when events disrupt your life’s habitual ways and means. You may be taken not only out of yourself—the boon of successful work in every art form, when you’re in the mood for it—but out of your time, relocated to a particular past that seems to dispel, in a flash of undeniable reality, everything that you thought you knew. It’s not like going back to anything. It’s like finding yourself anticipated as an incidental upshot of fully realized, unchanging truths. The impression passes quickly, but it leaves a mark that’s indistinguishable from a wound. Here’s a prediction of our experience when we are again free to wander museums: Everything in them will be other than what we remember. The objects won’t have altered, but we will have, in some ratio of good and ill. The casualties of the coronavirus will accompany us spectrally. Until, inevitably, we begin to forget, for a while we will have been reminded of our oneness throughout the world and across time with all the living and the dead. The works await us as expressions of individuals and of entire cultures that have been—and vividly remain—light-years ahead of what passes for our understanding. Things that are better than other things, they may even induce us to consider, however briefly, becoming a bit better, too.

The 55th Class Report entries were composed in Fall 2019, and disclose a panoply of personal tragedies, observations on the Present as it seemed to be in late 2019, hopes and plans for the coming years, and reflections on the Harvard experience we shared all those years ago. My own augmentation of the printed submission updates to the present.

Whatever else happens, all sorts of the taken-for-granted will be no more. Hand-shaking, for instance. The Curtsy may return, granting unexpected salience to this bit of the Downton Abbey Movie:



The morning’s harvest

…of provocative bits:

Meet your new landlord, the Big Tech “data rentier”:

ON DATA RENTIERSHIP IN ‘BIG TECH’: WHY SILICON VALLEY MIGHT NOT BE THE INNOVATION MODEL WE’RE LOOKING FOR

By discoversociety January 08, 2020

Kean D Birch

…the increasing trend amongst tech companies towards innovation goals and strategies framed by the pursuit and creation of monopolies, market power, or regulatory capture – that is, of economic rents – as opposed to the creation of new goods, services, and markets… a key characteristic of Silicon Valley is the pursuit and entrenchment of a strong intellectual property (IP) regime.

=====

Living the Stories of Astounding Futures
mcgeesmusings.net

What science fiction makes you think about is the interaction between the relentless advance of technology and the equally relentless commitment to the status quo of groups and organizations. People are gonna people whether they travel by covered wagon or starship.

What science fiction encourages you to do is to think about how people will react in any kind of scenario. And, it gives you permission to imagine a much richer variety of possible scenarios beyond what history or contemporary society serve up.

=====

Mapping how railroads built America: a superb 15-minute Financial Times MAPTASTIC video, with transcript of audio

A new look at antique US railroad maps reveals how cities grew over the past 200 years. The FT’s Alan Smith and Steven Bernard trace how cities, people and the economy spread from coast to coast

and see QGIS Uncovered, Steven Bernard’s video tutorials

and see Dataverse.Harvard.Edu, “a repository for research data”

fingers on the pulse of the Zeitgeist

I seem to be running into more and more instances of eloquent now-just-hold-on criticism of technological triumphalism, indeed seeing them wherever I turn: the finishing a few days ago of Adam Greenfield’s Radical Technologies: The Design of Everyday Life [really cheap ($2.51) as a Kindle ebook…], an article in The Guardian recently on the decline of retail jobs (End of the checkout line: the looming crisis for American cashiers), and then via my RSS feed from O’Reilly, Fredrik deBoer’s post Study of the Week: Of Course Virtual K-12 Schools Don’t Work. All of these have the same basic caveats about the smoke and mirrors of the digital world, and similar warnings about trafficking with the ogres who lurk behind the curtain.

Another instance, via long-form journalism in the [unfortunately paywalled] London Review of Books 17 August issue, is John Lanchester’s You Are The Product, which reviews three books (Wu’s The Attention Merchants, Garcia Martinez’ Chaos Monkeys, and Taplin’s Move Fast and Break Things), and is mostly concerned with the evolution of Facebook. An especially trenchant bit:

…even more than it is in the advertising business, Facebook is in the surveillance business. Facebook, in fact, is the biggest surveillance-based enterprise in the history of mankind. It knows far, far more about you than the most intrusive government has ever known about its citizens… its users don’t realise what it is the company does. What Facebook does is watch you, and then use what it knows about you and your behaviour to sell ads. I’m not sure there has ever been a more complete disconnect between what a company says it does – ‘connect’, ‘build communities’ – and the commercial reality.

My years as a librarian and early adopter of emergent technologies more or less ended when I retired in 2005, and I’ve been pretty choosy about entanglement with the subsequent social media silos—no Facebook, no Twitter, no Instagram. Flickr yes, because it offered an easy means to store and distribute photographic images (but one dreads what Verizon might do with the product). And I’ve been blogging since before instantiation of the term ‘blog’ (I called them ‘logfiles’ and used them to keep track of and distribute my various projects). I like to control and manage my own digital real estate, and pretty much everything I’ve done in the last 20+ years is tucked away somewhere at http://oook.info/, including the self-hosted WordPress blog in which I’ve been tracking my doings [somewhat fitfully] for 13+ years.

For me, the epiphanic enabling technology was hypertext, and I’m still back somewhere in the 90s in terms of my sophistication with html. Basic html has served me well as a means to construct and distribute documents, to who-knows-what audiences. And, fact is, I don’t really care much about the scale and scope of Audience; the stuff is out there to be discovered via Google and Internet Archive, and linkable by me whenever I want to pass something along to one of those like-minded others. I’m content to be little-known.

Which is a long way of saying that I want nothing to do with thefacebook, with its fatuous likes and insidious back-end data mining. I won’t claim consistency in re: the latter, since I’m happy for Amazon to send me stuff I want via Prime, and to bewilder Google with off-the-wall searches that they can’t possibly monetize. But for Facebook, it’s the Nancy Reagan option: Just Say No.

so why keep blogging?

I’ve been rethinking what blogging is for, and recognizing that my 2004-ish notions of its utility and purpose are, well, anachronistic. In the days before The Facebook and Twitter, back when hypertext seemed like the New Jerusalem of the conveyance of ideas via personal writing for the Web, my own blog felt like a channel to communicate discoveries and thoughts to an audience of … ah. People who added my blog to their RSS feeds, and thus would be notified whenever I posted something new. Those would mostly be friends to whom I’d sent the blog’s URL, plus maybe a few people who happened to stumble on the blog in other ways and added it to their RSS feeds. A pretty select, not to say limited, group. And now, in 2016, tending an RSS feed is just not something that people do.

So my blog postings, when I get around to making them, wander out into the aether and just keep wandering. Very occasionally a real person makes a comment on one of my posts, but most of the incoming traffic is basically spam (though why anybody would bother baffles me), and I’m mostly communicating with myself. I’ve decided that’s a good thing, not a limitation or still less a reason to stop using the medium. So the primary purpose is to record for myself things that I might want to find again, and/or be able to trace back to when I first encountered. Any communication with others that results is just gravy, though certainly very welcome gravy.

Today’s case in point of something I might wish to find later comes from the just-arrived New York Review of Books, from an article by Mark Danner on “The Magic of Donald Trump” in which he cites Richard Rorty, writing in 1997. That’s 19 years ago, right? Rorty died in 2007, but ‘prescient’ is perhaps an understatement:

members of labor unions, and unorganized unskilled workers, will sooner or later realize that their government is not even trying to prevent wages from sinking or to prevent jobs from being exported. Around the same time, they will realize that suburban white-collar workers—themselves desperately afraid of being downsized—are not going to let themselves be taxed to provide social benefits for anyone else.

At that point, something will crack. The nonsuburban electorate will decide that the system has failed and start looking around for a strongman to vote for—someone willing to assure them that, once he is elected, the smug bureaucrats, tricky lawyers, overpaid bond salesmen, and postmodernist professors will no longer be calling the shots. A scenario like that of Sinclair Lewis’ novel It Can’t Happen Here may then be played out. For once a strongman takes office, nobody can predict what will happen. In 1932, most of the predictions made about what would happen if Hindenburg named Hitler chancellor were wildly overoptimistic.

One thing that is very likely to happen is that the gains made in the past forty years by black and brown Americans, and by homosexuals, will be wiped out. Jocular contempt for women will come back into fashion. … All the resentment which badly educated Americans feel about having their manners dictated to them by college graduates will find an outlet. (in Achieving Our Country: Leftist Thought in TwentiethCentury, pp 89-90)

(a Google search for richard rorty “nonsuburban electorate” gets 420 hits, so it’s not like Mark Danner is the first to note the passage in connection with the present).

Yup, something I may want to locate again.

mid-March, surrounded by snow

Every five years my Harvard class publishes a volume of Class Reports, and this year is the 50th. I sent a brief submission for the book and included a link to an expansion, a pretty elaborate hypertext document that I’ve been working on for the last couple of months. I have no idea if others will explore its labyrinthine wanderings, but somehow that matters less than that I’ve managed to piece together into quasicoherence all sorts of elements of what I’ve been doing and thinking about since 1965. Such things are never finished, and I keep going back to tuck in further links and add bits of text, so the document will continue to evolve. The Reunion itself in in late May, and [quite uncharacteristically] I’ve signed up to attend. I hope for something more than paunchy bonhomie with people I never knew back in the day, but many of those I did know are either dead or constitutionally averse to Reunions. We shall see…

Meanwhile, we’re about to depart for two weeks in France, one of them in Brittany. Many photos will doubtless ensue.