Author Archives: oook

Reading lately

I read pretty much all day, when I’m not looking and/or listening (and sometimes then, too), or doing something that focuses my attention on some motor activity. It would be difficult to keep track of that reading, though I generally do record in my journal what books I start or finish on a particular day, and I sometimes make cryptic notes, or save links to Zotero, or even occasionally hatch out blog postings. Often enough, the things I read fit more or less into ongoing dialogs and burgeoning collections, though systematic linkage isn’t all that common. Themes like Time do seem to recur, and I’m conscious of occasions to fit things read into my own personal chronology.

Case in point that prompts this posting is a wish to save a path to a New Yorker piece that deals with a specific time and a generation: Table Talk: How the Cold War made Georgetown hot describes a world of influential folk in 1950s and 1960s Washington, more or less focused on Joseph Alsop. The world portrayed is utterly foreign to my experience, and a long way from the Washington of the present (similarly foreign, thankfully), but the doings of those people –Kennedys, Kissinger, CIA operatives– surely warped my own world. There’s a certain fascination in exploring their time-and-place, as described in this interview with Alsop biographer Robert Merry (very 1996 in style):

Another recent (re-)reading is Nicholas Freeling’s Tsing Boum, a Van Der Valk mystery which plunges us into 1950s French military history, Dien Bien Phu and its aftermath. Again, outside my own experience, but an influential precursor to the American Vietnam disasters which so affected my own generation.

I’ve also been reading Jenny Diski’s The Sixties, a London-centered take on the decade by an astute observer (now aged 67; see also a recent London Review of Books piece)

Quite without irony, in walking away from the domestic and cultural structures of the Fifties and before, we found and formed our own quite rigid self-affirming groups in order to demand the right to express our individuality (6)… Along with anger and style, mockery was another way to identify who we were and who we were not (27)… The compromises that adults make cause much of the suffering in the world, or, at best, fail to deal with the suffering. Acceptance of one’s lot –maintaining a silence about what can’t be said, lowering your expectations for your own life and for others, and understanding that nothing about the way the world works will ever change– is the very marrow of maturity, and no wonder the newly fledged children look at it with horror and know that it won’t happen to them –or turn their backs on it for fear it will. (37-38)… The Sixties generation are getting to an age where the world is beginning to look quite baffling and alien. It happens to everyone as they grow older. People don’t notice you in the street, they aren’t very interested in what you have to say. We complain about how things used to be and how they are now– better then, terrible now. And it feels as if this is true. But perhaps it always feels true as the centre drifts away from you. (133)

For my purposes, ‘Generation’ is too diffuse and sprawling a unit. I’ve had several occasions to write about age cohorts as especially important sociocultural entities. The 3-year cohort (in my case, people born 1942-1944) seems to me to share formative influences that are truly binding and defining.

Tom Rush is pretty eloquent, for the greying:

Canaries in Coalmines, Episode 1

I woke at 5:30 this morning, thinking about some photocopies I’d winnowed out while purging unnecessary stuff from the files in the barn, and wondering if there was more to know about the subject I’d last considered 10 years ago… wondering if the issue that seemed so pregnant a decade ago had evaporated, been debunked, or perhaps continued to develop into fully-fledged Crisis… Here’s a case in point for the nebulous edifice mentioned in yesterday’s post, a fragment that fairly screams to be knit back into the structure of Stuff I Know Something About.

First thing I did was to try to retrieve whatever I might have written a decade ago, using the search site:oook.info vultures in Google… and sure enough, up came Perishing Vultures (Jan 2004).

Next, I did a Google search for vultures India (starting broad, to see what comes up), which answers the original question (? evaporated/debunked/continued ?). Here are some of the most interesting results:

Indian Vulture Crisis from Wikipedia

original Oaks et al. 2004 paper

2012 review paper in Ann NY Acad Sci

a Nature article from TWO DAYS AGO

International Centre for Birds of Prey

2011 summary, including these bits:

It wasn’t until early 2003 when Oaks decided to look at their food source which was almost entirely domestic livestock, including cattle. In Hinduism, the main religion of India, cows are thought to be sacred and it’s against Indian law to kill or cause them pain. As such, farmers would liberally administer a pain killer called diclofenac to ease any suffering their cows might endure. When the cows eventually died, they would be sent to “carcass fields” to decompose because they couldn’t be buried or cremated according to the same religious reasons that sheltered them from suffering or death.

…While the vulture population has been decimated, the feral dog population has exploded. With this new abundant source of food, wild dogs have become the new primary scavenger. …their physiology isn’t as well-adapted to scavenging, and instead of destroying diseases such as rabies, they simply transmit them. When dogs contract rabies, they suffer from brain damage that makes them become extremely aggressive and prone to bite anything that comes nearby. India now has a rabies epidemic with the highest rate of human rabies in the world, resulting in about 35,000 deaths per year.

February 2012 summary of “Nationwide road surveys in India”

…initially conducted in 1991-1993 and repeated in 2000, 2002, 2003 and 2007, revealed that, by 2007, Asian white-backed vulture (Gyps bengalensis) had fallen to 0.1% of its numbers in the early 1990s, with populations of Indian vulture (Gyps indicus) and Slender-billed vulture (Gyps tenuirostris) having fallen to 3.2% of their earlier level. The last nationwide survey in India was undertaken in 2007.


UC Davis student paper by Johanne Boulat, with useful bibliography

Himalayan Griffon Gyps himalayensis factsheet from Birdlife International

Two organizations: Save the Vultures and Vulture Rescue

…and contemporary African and European analogs and March 2014 Guardian article

So there’s an example of what I might do a lot more of, following up on things from past and present as they cross my path. Can’t hurt, might even somehow prove useful.

mid-October

Years ago Allen Smith observed to me that the great thing about being a reference librarian was that “It All Counts!

I’ve been doing a lot of organizing out in the barn (“winnowing” is another candidate descriptor for the activity), discarding lots of paper that’s been tucked away in file drawers for years. Along the way I’ve found all sorts of stuff that’s really worth saving, and reconnected with avenues and back alleys that have absorbed my energies at various times. I’ve been reminded how much energy went into exploring topics for students and colleagues and preparing classes, and I’m pleased to see how good I was at those things. But I’m also discovering that the net effects of my efforts were very limited –indeed, were principally and primarily good for my own learning. And I’ve convinced myself that there’s nothing wrong with that, that no grander legacy is necessary or maybe even desirable.

I still harbor inclinations to build something with my musical and photographic and textual archives, but I can’t imagine where to set the foundations or how to erect the skeleton or design the floorplan… I suppose this blog could serve as the accumulator and distributor for such a construction project, if I was a tad more systematic and less irregular in posting. Maybe I’ll try that.

At Any Price

Amanda Petrusich’s Do Not Sell At Any Price: The Wild, Obsessive Hunt for the World’s Rarest 78rpm Records comes as close as anything I’ve read (and I’ve read a lot in this vein) to my own feelings and intuitions about musics, and then extends them into new territory.

With a few notable exceptions, blues music was rowdy and social, and its creators led brash, lustful lives. They drank and roamed and had reckless sex and occasionally stabbed each other in the throat. There was something incongruous about sitting in a dimly lit room, meticulously wiping dust and mold off a blues 78 and noting the serial number in an antique log book. Why not dance or sob or get wasted and kick something over? Some collectors, I knew, did exactly that, but for others, the experience of a rare blues record involved a kind of isolated studiousness, which of course was fine — there’s no wrong way to enjoy music, and I understood that certain contextual or biographical details could help crystallize a bigger, richer picture of a song. But I continued to believe that the pathway that allowed human beings to appreciate and require music probably begins in a more instinctual place (the heart, the stomach, the nether regions). Context was important, but it was never as essential — or as compelling — to me as the way my entire central nervous system involuntarily convulsed
whenever Skip James opened his mouth. (pg 62)

Petrusich interviews a broad array of collectors for their perspectives and personal histories, and has a gimlet-eared instinct for the trenchant quote. Here’s Ian Nagoski on collectors, and more generally on dudes:

It’s dudes hanging out, relating to each other through objects. It’s such a manifestation of dude culture, where guys tend to gather and not talk about their actual lives, if they can avoid it, but instead refer to the engine of their car, or whatever third thing they can talk about. And then through the aesthetics of that, they’ll relate to one another and get a sense of whether somebody is trustworthy or not and if they can actually open up to them. It’s a compensation for all kinds of male skills that are supposed to be present in adolescence that may not be present, so you compensate with other things — the superiority of specialization in some arcane field Science-fiction nerds and baseball-card guys, motorheads. Wanting to talk about your sound system first and your marriage months later. But literally having a shared aesthetic experience of a particular style of speaker could be the foundation of a lifelong, very, very deep male friendship. (pp 184-185)

before August escapes completely

August has been a very busy month of visitors and travels and activities and reading and writing and music. I worked on and more or less stabilized an augmentation of 50th college reunion reflections and just yesterday I did the Blueberry Cove Half Marathon (mostly walking, as intended). The next month will be at least as complicated, with more 50th wedding anniversary celebrations in California and at home in Maine. My Flickr photostream captures some of what’s been going on, including scans of images from archives I’ve been excavating.

Otlet

I read a lot of books, pinballing amongst genres and across disciplinary declevities as I please, and investigating some very odd (or at least infrequently-visited) corners of the print world. Mostly I don’t try to inflict my idiosyncratic tastes on others, but sometimes a book comes along that’s just too good not to make a fuss about. Today’s case in point:

Alex Wright’s Cataloging the World: Paul Otlet and the Birth of the Information Age.

Paul Otlet is probably not a person you’ve encountered before (and if he’s already familiar to you, I’d like to know how), but he belongs in the same visionary realm as Melvil Dewey (of library cataloging and 3×5 card fame), Ted Nelson (who instantiated hypertext), Tim Berners-Lee (pater of the World Wide Web), Doug Engelbart (of Mother of All Demos fame), Vannevar Bush (Memex and As We May Think), JCR Licklider (Man-Computer Symbiosis, ARPA), and a clutch of others (Watson Davis, Patrick Geddes, Emanuel Goldberg, Otto Neurath, John Wilkins) who will probably also be new to you. These people are arguably the primary architects/engineers/makers of the electronic world we all inhabit. The book is especially commended to

  • anyone interested in the history of Information, and the precursors of the Web in particular
  • anyone engaged with European intellectual history, and/or with the world of the first 50 years of the 20th century

Other books I’ve read that I’d put into the same heap, and reread in light of Wright’s book:

George Dyson Darwin Among the Machines: The Evolution of Global Intelligence

James Gleick The Information: A History, A Theory, A Flood

John Markoff What the Dormouse Said: How the Sixties Counterculture Shaped the Personal Computer Industry

Ted Nelson Possiplex: Movies, Intellect, Creative Control, My Computer Life and the Fight for Civilization: An Autobiography

Fred Turner From Counterculture to Cyberculture: Stewart Brand, the Whole Earth Network, and the Rise of Digital Utopianism

David Weinberger Everything Is Miscellaneous: The Power of the New Digital Disorder

I’m just starting Wright’s Glut: Mastering Information through the Ages, and hoping for More Of Same.

O Tempora

A couple of days ago I walked the course of the Blueberry Cove Half Marathon (13.1 miles on our lovely peninsula) and spent yesterday recovering. A measure of my malaise is in the reading: I took up Dorothy Sayers’ Clouds of Witness (vintage 1927) and was transported to a place and time where this sort of dialog was a possibility:

“You’d better toddle back to bed,” said Lord Peter. “You’re gettin’ all cold. Why do girls wear such mimsy little pyjimjams in this damn cold climate? There, don’t you worry. I’ll drop in on you later and we’ll have a jolly old pow-wow, what?” (pg 72)

Such Eternal Verities are Therapeutic.

Rembetika again

Anthropologists are prone to connoisseurship of subcultures, appreciating niceties of identity and keeping weather eyes peeled for boundary-defining shibboleths. Lowlifes and marginal folk seem especially attractive, perhaps because they offer exciting alternatives to the bourgeois stolidity of the Buena Gente. In this realm I have more than 30 years of fascination with the Greek underworld of the re[m]betes and the musical genres grouped under the ‘re[m]betika/o’ rubric. Basic source materials include Gail Holst’s Road to Rembetika: Music of a Greek sub-culture songs love, sorrow & hashish (1975) and Elias Petropoulos’ Songs of the Greek Underworld: The Rebetika Tradition (2000).

To assist your exploration if this is unfamiliar territory, there’s a BBC documentary:

and Music of the Outsiders

and Kostas Feris’ feature film Rembetiko (1983)
and literally hundreds of CD reissues of classic music from the 1920s and 1930s, such as Rembetika: Greek Music From the Underworld … or search ‘rembetika’ and ‘rebetika’ and ‘rebetiko’ and ‘rembetiko’ in Spotify or other streaming services.

Today I came across a really delicious vein of text in Patrick Leigh Fermor’s The Broken Road, replete with the trademarked style for which he is celebrated. He’s describing two dance forms, hasapikos and zembekiko:

They are, in fact, the quintessence of fatalism and morose solitude, a consolation and an anodyne in individual calamity, and with the songs that accompany them create a hard metrical and choreographic counterspell. They have another black mark against them: they are linked with low life in refugee quarters, with drunken cellars and hashish-smoking dens and waterfront bars, with idle hours spent over the nargileh, and with a dandified trick of flicking those tasseled and time-killing amber beads. Traditionally they are accompanied by a sartorial style, now largely obsolete: pointed shoes, peg-top trousers held up by a red sash, the jacket worn loose on the shoulders with sleeves hanging ‚ and by twisted moustaches, a quiff falling over the forehead, and the cap aslant on the back of the head. With this goes a relaxed gait, a languid syncopated flick of the beads round the index finger held in the small of the back, a cigarette in the corner of the mouth, a faintly derisive smile, a poker face, an unflurriable deliberation of gesture and a dangerous ironic light in the veiled eyes. (pp 244-245)

Downright ethnographic, isn’t it? You really should just get the book and read it…


Have a Piece of Pie

One of my Guilty Pleasures is books that I classify as Anglophilia. The latest to join the heap is Regina Marler’s Bloomsbury Pie: The Making of the Bloomsbury Boom. It’s comfortable and interesting in a slightly voyeuristic way, and from time to time one encounters a passage that just needs to be passed along to others. Today’s case in point:

Perhaps because they threaten our private feelings for a cherished figure, attempts to explain the few veiled elements of Virginia Woolf’s character arouse frenzied opposition. Armed with Freud or Laing or Husserl or Lacan and the immense written record of Virginia Woolf’s life, numberless critics and biographers have tried their hand at the puzzle only to be judged, at best, plausible and sensitive or, at worst, hostile, fanciful, unreflective, biased, arrogant, self-serving, and violently appropriative. Even the official biographer was attacked for broaching the possibility of sexual molestation: those who came after were torn by jackals. Some observers, like Leon Edel, blamed Michael Holroyd for establishing a prurient interest in the Bloomsberries and setting the tone for subsequent journalism and scholarship. This overlooks not only the growing candor of the period, however, but the perennial appeal of other people’s private lives. “Let me confess,” wrote Quentin Bell, “horrible though it may be to do so, that I would rather read almost any frivolous and salacious journalism than almost any literary criticism.” (pp 167-168)

And so say we all.