YouTube Saved 24vii23 ==> 31×24
re-encountering Global Music
I just got Joe Boyd’s And the Roots of Rhythm Remain, a massive brick (900+pages) of A Journey Through Global Music (the subtitle). The first encounter with the text inspires me to look at my vinyl music holdings more analytically. A few years ago I serially numbered and photographed the covers of 2000+ ‘albums’ (as they used to be called), and began the process of making their content accessible. And a long process it would be to “complete” the project… but an overview of the Vinyl Catalog is at least a start. The subcategories I’ve broken out as separate genres [perhaps too high-flown a term…] are neither systematic nor exhaustive, and are really pretty disorderly, but gotta start somewhere.
The last few months of blog entries have mostly turned into Convivium texts and handwritten conversation on the yellow pads that follow me everywhere. I mean to be more attentive to the blog in future.
End of May
How did this happen? The blog is 20 years from first post, and lately my attentions have been aimed at texts for weekly(ish) Convivium. I vow to figure out how to get the blog back into my day-to-day operations. Real soon now.
Maine Photographers Showcase
My Images for Maine Photographers Showcase, 2024
Boothbay Harbor, March 28 – May 3
at the end of January 2024
Lest January escape me, time for a salvage blog post. A lot of my writing energies have gone into texts for Convivium discussions (Solstitial Matters, Word of/for the Year, Navigating the year’s challenges, Gettin’ Above Your Raisin’, or Beyond) and of course onto the ever-growing heap of yellow pads. Various affordances await my attentions (Valoi negative scanner, CZUR book scanner, a digital microscope), each bought with specific projects in mind, and because the technologies were irresistible…), and musical plots continue to hatch, as always. I’m preparing support materials for 5 of my photographs that will be in the Maine Photographers Showcase (opening in April), and navigating the flow of new books that sloshes over the threshold. And there are always new photographic forays. So: More of Same, Piles Higher and Deeper. I intend to use the blog to track such doings more assiduously, aware that the 20th Anniversary of the blog is fast approaching.

Joerndts
(this is just a beginning of a continuing Saga)
Photographs from the past ENCODE messages that may/can resonate across time. In fact, that’s how they work, in a sort of temporal accordion (folded up and hidden until the bellows are tugged open, then producing stored/implied/immanent/nascent SOUND). Above is a photo of my maternal grandparents, whom I have never seen pictures of. It arrived in my life this week (indirectly, from a first cousin once removed whom I’ve never met) and I’ve been working on investigating and unpacking the story it tells, and the Story it is a fragment of evidence within.
I have spent many many happy hours in the company of the Abandoned Ancestors of others, and also in my own trove of family photographs, passed down into my curatorship from earlier generations. The pleasure/game/discipline of reading images, of excavating stories, imputing personality and other characteristics, and connecting up the (sometimes fanciful) dots … is bottomless and basically harmless to anybody now living, or so I tell myself.

The people are: Carl Kikkebusch, Mary Joerndt, Harriet Joerndt Kikkebusch, and William Henry Joerndt.
What can we read from the photo? How would backstory enlarge our reading? Where does this photo fit in the catalog of genres of vernacular photographs and snapshots? [people and cars…]



Walt Whitman would agree that these images contain multitudes —well, any image does, and the viewer’s opportunity is to explore those multitudes, all the better to deepen one’s appreciation for humanity and the vast complexities and complications of people’s lives and relationships.

So how is it that this is the only photograph I’ve ever seen of my mother’s parents, and that that seeing was just a week ago? Short answer: as I understand it, my mother was estranged from her parents from about age 14. I believe this to be rooted in a Joerndt family tragedy in 1908, resulting in the death of 3-year-old Marshall …and the subsequent divorce of the parents, evidently over the mother’s resort to various ‘spiritualisms’ in order to reach Marshall (that may be apocryphal, as may be the possible institutionalization of the mother). There’s much more to this drama, but there’s nobody left who knows.
The effect upon my mother between ages 9 and 14 was enormous and profound: her family “broken” (the term of choice in that era) around her just as she was emerging into personhood. At 14 she was sent to school at Urbana OH. Here’s how she described her state of mind:
I came here here hungry for affection, disturbed about the way I had seen people injure each other, and about as confused as a young girl can get…
Being sent to Urbana was utterly and completely the rescue that she needed:
Sixtieth year opens Sept 21, 1910
All grades from Kindergarten to second year of college
Especial attention given in regular classes
to instruction in The Word and the Doctrines of the New Church
Good, wholesome influences surrounding students
both in and out of school.
A few scholarships available
Paul H Seymour MS
Headmaster
So we find ourselves in a Swedenborgian world, in which both of my parents grew up (my father in the Boston Society) and lived their lives. Just how the Joerndts came to be in that world is a mystery, but the Humboldt Park Society of the Church of the New Jerusalem is the locus. Rob Lawson suggests
Carl and Henrietta Joerndt [William’s parents] would have been very knowledgable of the New Church German Society as early as the 1850s. The Pastor of this branch of the Chicago Swedenborgians, John Henry Ragatz, was from Switzerland and a contemporary in age with the Joerndts&mdsah;just a few years older than Carl. Ragatz started out as a minister of the Joerndt’s Lutheran Evangelical Church, of which the Joerndts remained members at least up to 1899. When Ragatz started the German New Church in 1854-55, the Joerndts may have had friends who left the Lutheran church to hang out with their Pastor Ragatz and his new-found adoption of Swedenborg’s spiritual offerings. It’s just a guess…
Aunt Harriet and Carl Kikkebusch were married in the Humboldt Park church in 1910, and at one point both my mother and her younger sister Eunice were sent to live with Harriet and Carl. Somebody in the Humboldt Park Society suggested and then managed my mother’s flight to Urbana, but I know none of the details.
Just to relieve the suspense, a few more bits of the story: after the divorce, William married again, one Augusta Knopf, who died in 1926. He then married (wait for it…) …Mary Joerndt in October 1926, in California… and both Harriet and Eunice were living in California in the early 1920s. The Mary Joerndt in the photograph

is physiognomically very similar to my mother when she was about that age.
While my mother was at Urbana, when she was perhaps 16, she had appendicitis and her father (by then a Christian Scientist) refused permission for the operation that would save her life. Alice Sturges, the Housemother, took responsibility and signed in loco parentis. Her father disowned her. Or so goes the story.
And here’s one of Mary Joerndt and Harriet in 1907: the year before Marshall’s death, when Harriet was 16:

This will probably be continued, so stay tuned.
Links in the /musics directory
Again a bit of a rescue operation, a page to make accessible various documents buried on oook.info, and to inspire me to update access to musics materials.
Leonora Carrington
The day began with a YouTube video, which has Leonora in her 90s talking with her (somewhat clueless) younger cousin:
(asked if there had been other artists in the family)
LC: My mother used to paint biscuit tins for jumble sales. That’s the only art that went on in my household.Joanna Moorhead: I wonder where it came from?
LC: I have no idea.
JM: No other artists in our family? None at all?
LC: Why are you fixed on the idea of heredity? It’s not hereditary … comes from somewhere else, not from genes. You’re trying to intellectualize something desperately, and you’re wasting your time. That’s not a way of understanding, to make a kind of intellectual mini-logic. You never understand by that road.
JM: What do you think you do understand by then?
LC: By your own feelings about things …if you see a painting that you like… canvas is an empty space.
JM: If I got one of your pictures down from upstairs and said to you what were you thinking when you painted this…?
LC: No. It’s a visual world, you want to turn things into a kind of intellectual game, it’s not… the visual world, it’s totally different. Remember what I’ve just said now, don’t try and turn it into a …kind of intellectual game. It’s not… It’s a visual world, which is different. The visual world is to do with what we see as space, which changes all the time. How do I know tgo walk –that’s one concept– to this bed and around it without running into it. I’m moving in space. Or I can have a concept of it and then I can see it as an object in space…”
This is fascinating on several levels, not least the asperity of the nonagenarian being not-understood on a subtle point, and trying to convey its importance to an interviewer who doesn’t quite get it.
And that led to Adam McLean’s marvelous 6-part Study Course on Leonora Carrington:
1: The Early Years
2: Mexico
3: Celtic
4: Esoteric and Magical
5: Map of the human animal
6: Humor and Animals
(see also his Surrealism Lesson the first of 20 videos!)
and here is a somewhat younger Carrington:
“The Flowering of the Crone, Leonora Carrington, Another Reality”
And her story “The House of Fear”, read by Farah Rose:
There are lots of other Carrington videos, and see Leonora Carrington is Having A Moment from 2017, Carrington’s centennial year.
Much more awaits me…
Rescuing some files
In the root directory of oook.info I found a bunch of html files that would be lost forever if I didn’t link them somehow and somewhere, so several hours of messing with them has yielded a chronological table. At least this should make them a bit more findable, and they make an interesting map of some activities during the last 20+ years.
Basil on October 27th!
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Almost unheard of, but welcome.