-
“An Atlas of History and Happenings” in wiki form
-
scripts of lotsa films
-
“…attempts to walk you through the long and diverse history of a particular aspect of human endeavour: The translation of ideas, stories and concepts that are largely textual and/or word based into a visual format, i.e. visual communication.”
links for 2008-01-30
-
from The Lexicographer’s Rules, the weblog of Grant Barrett
John Bird and John Fortune lay it out for you
links for 2008-01-28
links for 2008-01-27
-
several years old now, but still worth a look
Uh huh
Blog writing is id writing—grandiose, dreamy, private, free-associative, infantile, sexy, petty, dirty. Whether bloggers tell the truth or really are who they claim to be is another matter, but WTF. They are what they write. And you can’t fake that. 😉
(last sentence of Blogs by Sarah Boxer, in NYRB 14 Feb 2008)
links for 2008-01-26
links for 2008-01-25
-
“World’s Greatest Collection of Strange & Secret Photographs”
-
w00000t
-
Michael Wesch lays it out for you
Didja say where you got it? (a propos of Appropriation)
If I still had a classroom to work in, I’d devote several classes (hell, why not a whole course? …though under which rubrics I ain’t sure…) to the issues discussed in the Plagiarism episode of Wisconsin Public Radio’s To the Best of Our Knowledge, featuring interviews with Jonathan Lethem, DJ Spooky [That Subliminal Kid], Judge Richard Posner, and Malcolm Gladwell. The hour of talk and examples is absolute must listening for those whose lives are entangled with teaching-and-learning.
I’ll also remind you of a posting from almost a year ago, pointing to Christopher Lydon’s interview with Jonathan Lethem, and (if Harper’s will let non-subscribers see it) to Lethem’s article The ecstasy of influence: A plagiarism (Harper’s, Feb 2007).
Just a few teasers from the WPR show:
“Art comes not out of the void, but out of chaos” (1:35)
Barthes to Twain to Emerson to Lethem (1:55)
“the software that we use to edit is just as much a part of the artwork, you know?” (1:00)
“it’s like playing with respect for the history of things” (0:55)
Dialog on the Blues
If Son House isn’t a household world out your way, he might just be after you watch this one: