Category Archives: reading

Gobsmacked by Mary Ann Evans

Now and again I enjoy glimpses of glorious futures of information access. Today’s case in point was inspired by the morning bathroom reading of the Introduction to George Eliot’s Scenes of Clerical Life, in which Thomas Noble quotes the opening passage of an essay George Eliot published in Westminster Review in October 1855 (bolding especially choice bits):

GIVEN, a man with moderate intellect, a moral standard not higher than the average, some rhetorical affluence and great glibness of speech, what is the career in which, without the aid of birth or money, he may most easily attain power and reputation in English society ? Where is that Goshen of mediocrity in which a smattering of science and learning will pass for profound instruction, where platitudes will be accepted as wisdom, bigoted narrowness as holy zeal, unctuous egoism as God-given piety? Let such a man become an evangelical preacher; he will then find it possible to reconcile small ability with great ambition, superficial knowledge with the prestige of erudition, a middling morale with a high reputation for sanctity.

My god but that woman could write. I got to wondering if I could lay my hands on the whole text of the article (“EVANGELICAL TEACHING: DR CUMMING”), and a few quick searches brought me a Google Books scan from George Eliot’s Works, which was almost completely satisfactory… the penultimate page of the article was illegible, but Google offered a “Flag this page as unreadable” link, and politely thanked me for reporting the deficiency.

For those with a taste for literary skewering, I continue with some more (winkled out from the pdf thanks to copyable plain text view), but heartily urge download of the whole text. You’ll find this not irrelevant to our present circumstances:

Let him shun practical extremes and be ultra only in what is purely theoretic: let him be stringent on predestination, but latitudinarian on fasting; unflinching in insisting on the Eternity of punishment, but diffident of curtailing the substantial comforts of Time; ardent and imaginative on the pre-millennial advent of Christ, but cold and cautious towards every other infringement of the status quo. Let him fish for souls, not with the bait of inconvenient singularity, but with the drag-net of comfortable conformity. Let him be hard and literal in his interpretation only when he wants to hurl texts at the heads of unbelievers and adversaries; but when the letter of the Scriptures presses too closely on the genteel Christianity of the nineteenth century, let him use his spiritualizing alembic and disperse it into impalpable ether. Let him preach less of Christ than of Antichrist; let him be less definite in showing what sin is than in showing who is the Man of Sin, less expansive on the blessedness of faith than on the accursedness of infidelity. Above all, let him set up as an interpreter of prophecy, and rival Moore’s Almanack in the prediction of political events, tickling the interest of hearers who are but moderately spiritual by showing how the Holy Spirit has dictated problems and charades for their benefit, and how, if they are ingenious enough to solve these, they may have their Christian graces nourished by learning precisely to whom they may point as the “horn that had eyes,” “the lying prophet,” and the “unclean spirits.” In this way he will draw men to him by the strong chords of their passions, made reason-proof by being baptized with the name of piety. In this way he may gain a metropolitan pulpit; the avenues to his church will be as crowded as the passages to the opera; he has but to print his prophetic sermons and bind them in lilac and gold, and they will adorn the drawing-room table of all evangelical ladies, who will regard as a sort of pious “light reading” the demonstration that the prophecy of the locusts whose sting is in their tail is fulfilled in the fact of the Turkish commander’s having taken a horse’s tail for his standard, and that the French are the very frogs predicted in the Revelations.

Virginia Woolf as Martian Anthropologist

As a long-time student of Nacirema and Naidanac cultures, I’m always on the lookout for examples of trenchant observation of those and other closely related societies. During the morning’s bathroom reading, currently Woolf’s Three Guineas (originally published in 1938), I found this passage and was, as they say, brought up short. No apologies for the length of the passage, and the whole delicious chapter is available via University of Adelaide:

Let us then by way of a very elementary beginning lay before you a photograph —a crudely coloured photograph— of your world as it appears to us who see it from the threshold of the private house; through the shadow of the veil that St Paul still lays upon our eyes; from the bridge which connects the private house with the world of public life.

Your world, then, the world of professional, of public life, seen from this angle undoubtedly looks queer. At first sight it is enormously impressive. Within quite a small space are crowded together St Paul’s, the Bank of England, the Mansion House, the massive if funereal battlements of the Law Courts; and on the other side, Westminster Abbey and the Houses of Parliament. There, we say to ourselves, pausing, in this moment of transition on the bridge, our fathers and brothers have spent their lives. All these hundreds of years they have been mounting those steps, passing in and out of those doors, ascending those pulpits, preaching, money- making, administering justice. It is from this world that the private house (somewhere, roughly speaking, in the West End) has derived its creeds, its laws, its clothes and carpets, its beef and mutton. And then, as is now permissible, cautiously pushing aside the swing doors of one of these temples, we enter on tiptoe and survey the scene in greater detail. The first sensation of colossal size, of majestic masonry is broken up into a myriad points of amazement mixed with interrogation. Your clothes in the first place make us gape with astonishment. How many, how splendid, how extremely ornate they are —the clothes worn by the educated man in his public capacity! Now you dress in violet; a jewelled crucifix swings on your breast; now your shoulders are covered with lace; now furred with ermine; now slung with many linked chains set with precious stones. Now you wear wigs on your heads; rows of graduated curls descend to your necks. Now your hats are boat-shaped, or cocked; now they mount in cones of black fur; now they are made of brass and scuttle shaped; now plumes of red, now of blue hair surmount them. Sometimes gowns cover your legs; sometimes gaiters. Tabards embroidered with lions and unicorns swing from your shoulders; metal objects cut in star shapes or in circles glitter and twinkle upon your breasts. Ribbons of all colours —blue, purple, crimson— cross from shoulder to shoulder. After the comparative simplicity of your dress at home, the splendour of your public attire is dazzling.

But far stranger are two other facts that gradually reveal themselves when our eyes have recovered from their first amazement. Not only are whole bodies of men dressed alike summer and winter —a strange characteristic to a sex which changes its clothes according to the season, and for reasons of private taste and comfort— but every button, rosette and stripe seems to have some symbolical meaning. Some have the right to wear plain buttons only; others rosettes; some may wear a single stripe; others three, four, five or six. And each curl or stripe is sewn on at precisely the right distance apart; it may be one inch for one man, one inch and a quarter for another. Rules again regulate the gold wire on the shoulders, the braid on the trousers, the cockades on the hats —but no single pair of eyes can observe all these distinctions, let alone account for them accurately.

Even stranger, however, than the symbolic splendour of your clothes are the ceremonies that take place when you wear them. Here you kneel; there you bow; here you advance in procession behind a man carrying a silver poker; here you mount a carved chair; here you appear to do homage to a piece of painted wood; here you abase yourselves before tables covered with richly worked tapestry. And whatever these ceremonies may mean you perform them always together, always in step, always in the uniform proper to the man and the occasion.

Didja say where you got it? (a propos of Appropriation)

If I still had a classroom to work in, I’d devote several classes (hell, why not a whole course? …though under which rubrics I ain’t sure…) to the issues discussed in the Plagiarism episode of Wisconsin Public Radio’s To the Best of Our Knowledge, featuring interviews with Jonathan Lethem, DJ Spooky [That Subliminal Kid], Judge Richard Posner, and Malcolm Gladwell. The hour of talk and examples is absolute must listening for those whose lives are entangled with teaching-and-learning.

I’ll also remind you of a posting from almost a year ago, pointing to Christopher Lydon’s interview with Jonathan Lethem, and (if Harper’s will let non-subscribers see it) to Lethem’s article The ecstasy of influence: A plagiarism (Harper’s, Feb 2007).

Just a few teasers from the WPR show:

“Art comes not out of the void, but out of chaos” (1:35)
Barthes to Twain to Emerson to Lethem (1:55)
“the software that we use to edit is just as much a part of the artwork, you know?” (1:00)
“it’s like playing with respect for the history of things” (0:55)

That which surrounds us

I’m a lifelong if somewhat desultory student of Landscapes at various scales. A couple of delightful books showed up under the Christmas tree, and I’m gleefully anticipating their consumption:

Chet Raymo’s The Path: A One-Mile Walk Through the Universe teaches valuable lessons by attending to this bit of landscape

FOR THIRTY-SEVEN YEARS I have walked the same path back and forth each day from my home in the village of North Easton, Massachusetts, to my place of work… Step by step, year by year, the landscape I traversed became deeper, richer, more multidimensional, always overflowing the mind that sought to contain it. Ultimately, almost without my willing it, the path became more than a walk, more than an education, more than a life; it became the Path, a Tao, a thread that ties one human life and the universe together… Any path can become the Path if attended to with care, without preconceptions, informed by knowledge, and open to surprise. (pp 1, 4-5, 6)

Another explores a landscape element that I’ve often thought of documenting myself: William Hubbell’s Good Fences: A Pictorial History of New England’s Stone Walls (see some examples).

Franzen rules, OK!

On son John’s recent recommendation, Betsy bought and read Jonathan Franzen’s The Corrections. Once she surfaced, she insisted that I’d love it. I do. It’s interesting for the qualities (flavor, savor, fibre) of its writing and for its relentless and multifarious takes on Family, and it sheds polychrome lights on various recent passages with members of my own extended Family. Rueful chuckles and sympathetic snortings are sure to be evinced from most readers, and some will experience the Scream of Recognition here and there… A couple of passages:

(of the Pater Familias, who is losing it)
…the panic of a man betrayed deep in the woods whose darkness was the darkness of starlings blotting out the sunset or black ants storming a dead opossum, a darkness that didn’t just exist but actively consumed the bearings that he’d sensibly established for himself, lest he be lost; but in the instant of realizing that he was lost, time became marvelously slow and he discovered hitherto unguessed eternities in the space between one word and the next, or rather he became trapped in that space between words and could only stand and watch as time sped by without him… (pg. 11)

(and Frantzen does Lists like nobody else)
…Gary took a morning to inspect the whole property slowly, inside and out. He found cracks in the grouting, rust lines in the bathroom sinks, and a softness in the master bedroom ceiling. He noticed rain stains on the inner wall of the back porch, a beard of dried suds on the chin of the old dishwasher, an alarming thump in the forced-air blower, pustules and ridges in the driveway’s asphalt, termites in the woodpile, a Damoclean oak limb dangling above a dormer, finger-wide cracks in the foundation, retaining walls that listed, whitecaps of peeling paint on window jambs, big emboldened spiders in the basement, fields of dried sowbugs and cricket husks, unfamiliar fungal and enteric smells, everywhere he looked the sag of entropy… (pg. 172)

The Day’s First Text

The first text one happens to read in the day sometimes kicks off a sequence of thoughts and activities. The top of the heap in the bathroom happened today to be Parodies: an anthology from Chaucer to Beerbohm –and After (the 1965 Modern Library Giant edition, fruit of a trip to the local usedbookery), and a random opening brought this for my consideration as Leitmotiv for the day:

(Cloax is the vilest drink, gouging
Pockets out of your giblets, mixing
Frenzy and remorse, blending
Rot-gut and white-ants.
Jalap has a use, laundering
Colons with refreshing suds, purging
The lower soul with gentle motion.)

Oooooookay, I thought. It’s from Myra Buttle’s Sweeney in Articulo (part of The Sweeniad, Victor Purcell’s rather vicious ca. 1957 parody of T.S. Eliot –I know Victor Purcell for his work on the Chinese in Southeast Asia and on Malayan history, but am pleased to find him at play here). And so the odd half hour went into inquiring into Eliot (which led to The T. S. Eliot Page, and turned up A craving for reality: T. S. Eliot today by Roger Kimball). After that, a visit to the phlebotomist (fasting), and then breakfast… some days are more fun than others.

Dept. of Co-incidence

I’ve enjoyed Brideshead Revisited as novel and film, multiple times. Lately the Penguin version has been reposing in the bathroom, recovering from the latest bout of reading, and recently it was joined by another Penguin edition, The Best of Betjeman, which I picked up as a give-away in a roadside restaurant. I was planning to blog a so-English verse I just happened to read last night:

And Nurse came in with the tea-things
Breast-high ‘mid the stands and chairs–
But Nurse was alone with her own little soul,
And the things were alone with theirs.

(from “Death in Leamington”, pg. 15)

…and I thought I should inform myself about the details of Betjeman’s life. I knew he’d been Poet Laureate, but I didn’t know that Waugh had modeled Sebastian Flyte’s bear Aloysius after Betjeman’s Archibald Ormsby-Gore, or that C.S. Lewis had been Betjeman’s (much-despised) tutor. Don’t miss the 1959 BBC interview (1:45, on life at Oxford, hearties and aesthetes, being sent down). And The Times offers a picture of Archie and Jumbo, and more delicious details.

Barchester Towers rediscovered

In preparation for an impending visit to a high school classmate who is an Episcopal priest, I bought Trollope’s Barchester Towers, which I’ve read several times but not recently. It’s a delight of well-drawn characters and sly invective, of which I might quote any number of passages. Here’s one, describing Mrs. Stanhope, to give something of the flavo[u]r:

The structure of her attire was always elaborate, and yet never over laboured. She was rich in apparel, but not bedizened with finery; her ornaments were costly, rare, and such as could not fail to attract notice, but they did not look as though worn with that purpose. She well knew the great architectural secret of decorating her construction, and never descended to constructing a decoration. But when we have said that Mrs. Stanhope knew how to dress, and used her knowledge daily, we have said it all. Other purpose in life she had none. (pg. 63)

Oh well, just one more quote:

There is, perhaps, no greater hardship at present inflicted on mankind in civilised and free countries, than the necessity of listening to sermons. No one but a preaching clergyman has, in these realms, the power of compelling an audience to sit silent, and be tormented. No one but a preaching clergyman can revel in platitudes, truisms, and untruisms, and yet receive as his undisputed privilege, the same respectful demeanour as though words of impassioned eloquence, or persuasive logic, fell from his lips. Let a professor of law or physic find his place in a lecture-room, and there pour forth jejune words and useless empty phrases, and he will pour them forth to empty benches. Let a barrister attempt to talk without talking well, and he will talk but seldom. A judge’s charge need be listened to per force by none but the jury, prisoner, and gaoler. A member of Parliament can be coughed down or counted out. Town-councillors can be tabooed. But no one can rid himself of the preaching clergyman. (pp 46-47)

On the current reading list

The June Harper’s arrived yesterday and is, well, fierce. I’m very glad that I subscribed a few months ago, though I feel a bit flayed by Garret Keizer’s “Climate, Class and Claptrap”:

If I sound bitter it is partly because I have been vouchsafed a glimpse of the new carbon-trading world order in the New England villages where I have lived, taught, and buried the dead for close to thirty years, and where any egress from one’s house now risks collision with an eco-fluent carpetbagger. Apparently, this place that has never had much use to the larger world beyond that of hosting a new prison or a solid-waste dump turns out to be an ideal location for an industrial “wind farm,” ideal mostly because the people are too few and too poor to offer much in the way of resistance… (pg 10)

There’s also an absolutely essential article by Sallie Tisdale: “Chemo World: Surviving the cancer unit” that tells me more than I would have thought myself comfortable with knowing about chemotherapy and cytotoxic drugs. It’s right up there with Atul Gawande’s “The Way We Age Now” from last week’s New Yorker as a must-read, especially for those of us who notice that we and others around us are somehow older than we used to be…