Author Archives: oook

Sonograms

Years ago (1989-90 as I remember) Betsy was using a Mac-based sonographic tool to do analysis of pauses and other waveform phenomena in speech. I used it to explore a lot of samples of singers, as a part of the Cross-Cultural Studies in Music course that I was teaching at the time. I ran across those file folders the other day, while sorting through the academic legacy remains in the barn, and was diverted into an hour or so of what-if (paths not taken, that sort of thing). And then this morning I find Mark Liberman’s Poem in the Key of What posting at Language Log, illustrating some work he’s done with a new generation of sound analysis software (it’s FREE too: Praat and WaveSurfer). I’m tempted to reopen that frontier. For a bit of a teaser, consider this representation of Bessie Smith’s 1927 “Send me to the ‘lectric chair“:
Bessie Smith Electric Chair Blues fragment

Bessie Smith Electric Chair Blues fragment

ADDENDUM: I did some experimenting with Praat, and here’s an extract of pitch contour. Not sure just what it all means, but it sure is fun.

Sublime stench

Two bits encountered this morning, about as unrelated as can be I think (or perhaps hope…), though both have to do with savor: Robyn Eckhardt’s utterly delicious essay on Bplaa Raa, and Peter Schjeldahl’s “Going East”, a rumination on Napoleon at the Dahesh in the August 28 New Yorker (alas, not available online). One lovely definition from the latter:

Camp –the savoring of unintended ironies [pg. 80]

…and it was enlightening to learn a bit about Dr. Dahesh (“Dr. Wonder”).

Through a dirty pane of glass

Ze Frank‘s takes on pretty much anything are at the very least refreshing/provocative, and often they’re enlightening (though sometimes NSFW, but since I don’t W anymore, no problem). The mode of delivery, as a collage of short takes of (mostly) Ze’s unblinking/motormouthing phiz, gets a lot into a few seconds, and hearing his daily rant is generally as good as seeing it (occasional exceptions). Yesterday’s rumination on compression (a 1:48 outtake, edited slightly, but see the whole thing if you’re really a Sports Racer) includes a useful info analogy to looking through a dirty pane of glass. If I was still W-ing, I’d use the clip to kick off a class, and I’ll bet I could make it appropriate to just about any subject.