On the Photobooth in Demotic Photography

Consider this spectacular image, from this morning’s Flickr Nation:

(I hope I’m doing this right, CC-wise: this one is by Caterina Fake herself (www.flickr.com/photos/caterina/91282844/).
It’s the very apotheosis of the photobooth snap, with a reflexive curveball thrown in. NB that this very photobooth in San Francisco evidently can post directly to Flickr…)

I’m a latecomer to the notion that there’s something deeply significant in this medium, but I want to start a thread on the side to track it. Among others whose work precedes and informs this effort, I’m especially indebted to Photobooth, Babbette Hines’ glorious collection of “discarded images of men and women who crowded into photo booths to capture a moment on a little strip of film”. I have very few photobooth bits in my own collection, but there are two from the Joe Wilner trove:


It’s paradoxical that these share something with a few of the tintypes –a sort of artlessness in the pose that really conveys something about the essence of the person. Consider this one:

These are probably separated in time by something like 60 years, about as much time as separates the later ones from now.

I’m still hunting for whoever has analyzed the chronotope of the photobooth experience, the 1-2-3-4 exposures, with enough time between for the subjects to alter their pose/presentation, and about how people developed that temporal opportunity over the years. I have Babbette Hines’ book on order, and that may be just what I’m seeking.

It’s also necessary to explore what’s already out there on the Web, and a quick Google search nets a bunch: photobooth.net (“We aim to make this the most comprehensive photobooth resource on the internet…”), Wade’s Photobooth Gallery, the Flickr photobooth Group, Mr.Mixup’s Photobooth Archive (U.K.), just to start with…

Anyway, this is an open thread, to which I’ll add as I learn more.