I’ve used this blogspace mostly as a means to collect and rediffuse stuff of passing interest, to an audience that I’ve never really defined but generally thought of as my very own self and a few like-minded others who might be following my doings. Beyond its status as a personal lectern, I haven’t really explored what the medium can do as a composition environment, but a couple of days ago it occurred to me that I might use the space as a venue for gathering the ongoing bits of a new project.

I have a glorious history of begun but uncompleted projects, some of which resurface now and again, to be augmented and then maybe shelved again. Files are opened and then closed as my attention is diverted, but I assure myself that gradual progress is made. Since nobody is waiting on me for anything, I can please myself in the matter of what I choose to do from day to day. It All Counts, as Allen Smith once averred.

One of the threads I’ve been following off and on for about 50 years has to do with architecture, or perhaps more broadly with the human activity of building and occupying living spaces. The work I did as a progress photographer on the State Street Bank building in Boston (mostly in 1964) is an example of something I’ve returned to and found new possibilities in (see the building, the first column, construction details). I’ve also pursued a series of renovations and augmentations of my own living spaces, and have kept a weather eye on other people’s building activities, sometimes photographing them but never systematically.
A chance conversation with John Rosenbloom a few nights ago got me thinking about vernacular architecture and I hatched a plot to explore the built environment of Midcoast Maine. Refinements of the scheme are occurring to me with every passing hour, and I need a place to put stuff. And why not the blog? Far better to use the space productively than to let it languish, and it doesn’t need to be polished. Indeed, an omnium gatherum is just what the blog medium is best at: tagging, date-stamping, URLs for fragments, a way to link photographs and other texts… So that’s what I think I’ll try.
And for whom? The primary audience remains my own very, very self, but others might find some of the process of interest, and who knows but what Posterity may even be amused.

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